|The cast of The Lighthouse examine the unfamiliar performances space.|
We took the set model with us. In the creation of a new production a set model is built by the designer, in our case Camellia Koo, and enables us to visualize the space as a new and different world. Standing there without the context of the model it would have been difficult to imagine a room used mostly for conferences and public talks converted into a mysterious lighthouse on a remote island located north of Scotland. When we looked at the model and moved around the space to see the placement of each piece, I became excited about the transformation of which we are about to be a part. The view of the bay behind our lighthouse will make the audience feel as if the lighthouse is truly there. This kind of theatrical expression of opera isn’t done as often as it should. That is a pity, for what is more operatic than being in the story yourself?