What's for Dinner on THE LIGHTHOUSE?

If you're on a Scottish lighthouse in 1900, it's a family style plate of oatcakes and pilchards. At least, those are the two items mentioned in the libretto of Peter Maxwell Davies' opera The Lighthouse. As the Assistant Stage Manager in charge of props, food preparation falls into my domain, but I'll admit I did enlist the help of fellow ASM Ginger Castleberry when plating the most pungent of the fish.

We learned from our British director Tim Albery, British conductor, David Angus, and Canadian designer Camillia Koo that oatcakes are a familiar sight in English and Canadian grocery stores, but they were not as easy to find in Boston. A specialty shop in Harvard Square carried some, but finally, our props master ordered the preferred brand online for us to use for the show.

The creative team wanted to stay faithful to the story and have the singers eat real pilchards (canned fish), so we brought a variety of sardines to try. Packed in oil? Too messy. Packed in water? Just as smelly. With mustard? Didn't help the appeal. After a couple rounds of deli meat cut in strips stage management hoped would pass as pilchards, the winner was canned chicken - a little bit flaky like fish and moist enough to be palatable for the singers to eat between lines in the opera.

Wash it all down with water dyed brown to look like tea (most performers don't like to drink caffeine during a show), and you've got a balanced lighthouse meal. Don't forget to save some for the rats!

--Courtney Rizzo, Assistant Stage Manager

Lighthouses in peril

Thanks to everyone who joined us last night for the opening performance of our third Opera Annex, The Lighthouse. Join us tonight for another stunning performance and prepare yourself with this video of lighthouses in peril. The music is Mozart's Requiem, but perhaps it should be Verdi's Requiem ...

Know of other haunted, perilous lighthouse locations? Share them in the comments.

The Ghost of the Lady Light Keeper

Fourth and final in our series of haunted lighthouses:

Location: Gurnet Point/Plymouth Bay
Station Established: 1768
First Lit: 1843
Operational: Yes
Automated: 1986

Near to where the Pilgrims came ashore in the New World, stands one of America's earliest lighthouses, at Gurnet Point in Plymouth, Massachusetts. Originally two towers were built and were first lit in 1769.  John and Hannah Thomas were appointed the keepers of both lighthouses since the towers were constructed on their land.  Shortly after taking the post John left to fight in the Revolutionary War and left Hannah to keep the lights burning all by herself.

John never came back from the war, and in 1790, Hannah was appointed the first female lighthouse keeper in America. In 1801 both towers caught fire and burned to the ground.  The towers were replaced, but the northeast one was dismantled in 1924. Hannah loved the lighthouse and remained as keeper until 1790. Ever since Hannah’s death people have said they have seen her ghost in and around the tower. 

Night at Gurnet Point – Lighthouse Photographers Bob and Sandra Shanklin had the opportunity to stay the night in the keeper’s house on Gurnet Point. 

Told in their own words: At some point, something woke Bob. He raised up on his elbow and watched the light come around, illuminating the windows for a few seconds each time. Then he looked over toward me (Sandra), who was sleeping soundly. Above me, he saw the head and shoulders of a woman. He described her as being a green blue electric spark color. He said she had an old time hairdo, sunken cheeks and the saddest face he ever saw. Bob told me that she wasn't wrinkled and he didn't think she was an old woman. He said he felt no threat from her, but only her sadness. As he watched her, out of the corner of his eye he could see the rays of light from the lighthouse come around several times, brightening the room. He looked toward the light, then looked back to where she had been and she was gone. While there is no way to ascertain with any degree of certainty the identify of the Gurnet Point ghost, Shanklins claimed he had a "feeling" it was Hannah Thomas.

--Kalina Schloneger, Education & Community Programs Intern

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Resources/for more about this haunted lighthouse visit:

Haunted LighthousesLegends and Lore by Sue Clark

United States Coast Guard

Ghosts of theMassachusetts Lights by Lee Holloway

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See our haunting production of Sir Peter Maxwell Davies' The Lighthouse, Feb. 8--12

A word about the music of 'The Lighthouse'

BLO Music Director David Angus shares his thoughts about the music of The Lighthouse.

One of the most entertaining things about Sir Peter Maxwell Davies' opera, The Lighthouse, is what he does with the little orchestra. There are only 12 players, but they play more than 30 instruments between them, including some very unusual combinations. At the more serious end, he creates wonderful eerie effects with strange harmonics, flutter-tonguing, glissandi, etc., sometimes extremely quietly, so that the instruments sound totally alien. However, for me the greatest fun comes in the loudest parts, which can be totally deafening! The quieter instruments, such as the violin, viola and guitar, wouldn't be heard at all, so instead he asks the players to play percussion instruments, and they really enjoy themselves!  Our concertmaster, Sandy Kott, smashes the giant Tam-Tam (gong) several times, and the guitarist thumps the big bass drum like a heartbeat throughout the double climax. But for me the best is that our soft-spoken principal Viola, Kenneth Stalberg, is given two flexatones, one in each hand, and he makes as much sound as he can, shaking both of them as hard as possible. (I'm sure there is a viola joke in there somewhere!) He told me that he had been practicing playing the flexatone weeks before the first rehearsal. The final noise at the end comes from the pianist who, as well as attacking the inside of the piano with a drum stick, blows a referee's whistle as loud as he can. It is total chaos!

"Max" has written possibly the most difficult music for orchestra that I have ever come across; each part is like a virtuoso concerto solo. Our players are achieving the impossible, by playing all the notes (and in the right order!) perfectly synchronized with each other, whilst still being flexible enough to follow the singers. Our singers are, if anything, even more impressive, because their music is just as difficult, but they have to do it all by memory, while acting and sometimes even while lying on their backs or climbing up and down ladders. When you add all this to an intelligent and clear staging on a striking set that has been magically lit, you have the recipe for something extraordinary!

The Ghost of a Pirate's Wife

Third in our series of haunted lighthouses:

Location: Sippican Harbor off of Buzzards Bay
Station Established: 1819
First Lit: 1889
Operational: Yes
Automated: 1997

William S. Moore (alleged pirate) took the post as keeper of the Bird Island Lighthouse in 1819 after having fought in the War of 1812. Supposedly he owed the U.S. government money and this position repaid his debt.  He brought with him his wife, who was a heavy tobacco user, and suffered from tuberculosis. Mrs. Moore was forbidden to leave the island by her husband, since he feared she would be unfaithful.

The lighthouse was damp and lonely which worsened Mrs. Moore’s illness and need for tobacco.  The townspeople said they could hear her cries of desperation and would sneak bags of tobacco out to the lighthouse when they could.  One evening Moore raised the distress flag and when the townspeople arrived to help they found Mrs. Moore dead.  Moore insisted that his wife had died from her disease but some townsfolk believed otherwise.  Moore demanded that his wife be buried on the island so she was laid to rest right next to the lighthouse.  Moore was always blamed for the death of his wife and for holding her captive on the island.  Legend has it that keepers have been haunted by Moore’s wife ever since, the ghost of a hunched-over old woman, rapping at the door during the night.

--Kalina Schloneger, Education & Community Programs Intern

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See our haunting production of Sir Peter Maxwell Davies' The Lighthouse, Feb. 8--12

Tech Week for THE LIGHTHOUSE

The cast explores the space under the platform,
new to them in the performance space.

Tech week for an opera is always an exciting time: it’s a chance to finally incorporate lighting with full scenic elements and to transform the space where the show will be performed. Our singers for this production of The Lighthouse are, aside from being top-notch singers, great actors who have a lot of flexibility. The transfer from the studio to the stage can be daunting, especially in a show like this where we didn’t have the luxury of having the underside of the main platform available; however, our gentlemen were excited to explore the possibilities available to them by now having the complete set in the real space. The lighting design is one of the most exciting parts of the technical rehearsal process. Our designer, Thomas Hase, has enhanced the story telling that has been created in the staging to portray a menacing, dark world on a remote island. The Kennedy Library has truly transformed into the Flannan Isles …

--Crystal Manich, Assistant Director

A Haunted Tower Built on the Sea

Second in our series of haunted lighthouses:

Location:  COHASSET ROCKS
Station Established: 1850
Current Tower First Lit: 1860
Operational: YES
Automated: 1947

Minot's Ledge lighthouse was a place no sane person wanted to live. It is just a tower coming out of the sea on a reef located off Scituate, Massachusetts.  In fact, the first tower was destroyed by the sea only a year after it was completed!  In April of 1851 keeper John Bennet went ashore leaving his two assistants in charge of the lighthouse.  While Mr. Bennet was on land, winds kicked up to more than 100 mph and he could not return to the lighthouse until morning.  When keeper Bennet finally made it back to the lighthouse there was nothing left of the tower.  The bodies of his two assistants washed up later on Nantasket Beach and Gull Island.  Since this tragedy fishermen say they hear cries coming from the island and swear they have seen a man hanging from the ladder screaming to passers by “Stay away! Stay away!”

After the tragedy on Minot’s Ledge other strange things began to happen.  When an assistant was ordered to clean the lighthouse the windows would always be sparkling clean by the time they reached the top to complete the task.  Other keepers heard taps echoing up through the stairs.  This was the signal for the two assistants that they could leave their post. Most keepers learned to live with the ghosts but others lost their minds.  One keeper could not handle it and slit his own throat another went insane and had to be taken from the lighthouse in a straight jacket.

--Kalina Schloneger, Education & Community Programs Intern

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Resources/for more about this haunted lighthouse visit:

Haunted LighthousesLegends and Lore by Sue Clark

United States Coast Guard

Ghosts of theMassachusetts Lights by Lee Holloway

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See our haunting production of Sir Peter Maxwell Davies' The Lighthouse, Feb. 8--12

Haunted Lighthouses

The lighthouse of Sir Peter Maxwell Davies' opera is not the only lighthouse with a scary and mysterious tale.

Discover the haunted lighthouses near you as we take you on a tour of the haunted lights of Massachusetts. Tales of other haunted lighthouses will appear each Monday until our production of The Lighthouse opens on February 8.

Stop back for all the spooky details.

The Haunting of America's Oldest Lighthouse

Location: LITTLE BREWSTER ISLAND/BOSTON HARBOR
Station Established: 1716
Current Tower First Lit: 1783
Operational: YES
Automated: 1998

The first lighthouse in America was built on Little Brewster Island and was completed in 1716.  Later the original tower was destroyed during the Revolutionary War. The present tower was constructed in 1783 with 14 additional feet added in 1859. The Lighthouse is said to be haunted by its first two keepers, George Worthylake and Robert Saunders. Both gentlemen died within months of accepting their jobs at the lighthouse. After two disasters, some people believed that the island and its lighthouse might be cursed.

The other tale of the old lighthouse on Little Brewster Island is about its very large bell to help warn ships of the dangerous shore line ahead. Despite the size of the bell the ring will not reach a stretch of water several miles east of the lighthouse. The mariners call this area of sea the “Ghost Walk” because ships can not be reached by the guiding sound of the bell. No one has ever been able to explain the Ghost Walk, not even a team of MIT students who spent an entire summer on Little Brewster Island studying the mystery.

--Kalina Schloneger, Education & Community Programs Intern

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Resources/for more about this haunted lighthouse visit:

Haunted LighthousesLegends and Lore by Sue Clark

United States Coast Guard

Ghosts of theMassachusetts Lights by Lee Holloway

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See our haunting production of Sir Peter Maxwell Davies' The Lighthouse, Feb. 8--12