Assistant Director, Crystal Manich shares some insights into rehearsing an opera. Crystal joins BLO again after working as the Assistant Director for last spring's production of Agrippina. Her interview with Countertenor Anthony Roth Costanzo is here.
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| David Angus with the three singers of The Lighthouse |
The first
few days of staging an opera are very exciting: a new group of people has been
brought together to create the show ... and no one really knows what to expect.
Even though the show plays under 80 minutes, what makes this show particularly
challenging is the music. It’s very complicated and intricate. The three
gentlemen in this production go over a large section of music with David Angus,
our conductor, before putting it onto its feet. This makes for a smoother rehearsal:
if the music is fresh, the singers can more easily focus on the staging.
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| Designer Camellia Koo looks on as Tim Albery leads a staging rehearsal |
Our
director Tim Albery creates a really nice atmosphere in the room by providing a
clear framework for the piece while also allowing the singers to explore
character and movement. It seems that he is also appreciative of his set and
costume designer, Camellia Koo, being in the room with us. It’s a rare luxury
these days to have a designer be a part of early staging rehearsals. Cami is
very helpful when anyone has a question about a costume, a prop or part of the
set, and she is able to help make decisions with Tim on the spot as well.
By the
end of this week we should be about ¾ of the way through staging the piece. I
look forward to seeing where this is going!
--Crystal Manich, Assistant Director
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